In some of Wyeth's most unforgettable portraits the subject is not even there. He told Mr. Hoving, "I think a person permeates a spot, and that lost presence makes the environment timeless to me. A lost presense keeps the area alive." Thus, a room, a house, a table setting, such as Karl Kuerner's in "Ground Hog Day" become "the very essence of the man who wasn't there."
In this sense Wyeth's painting is the epitome of the "less is more" precept, an application of measure and effacement that the artist extends even to himself. So intense is his involvement and his control of its expression that Wyeth loses himself in his work and can say quite matter-of-factly, "I don't think I exist really as a person, particularly, I really don't and I'd rather not."
1 comment:
Saw leafy green paintings first hand by Andrew Wyeth in Brooklyn Museum in 1989. I LOVE his art; was primeval earthy & community based. Thanks for this I didnt know.
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